Showing posts with label lenses. Show all posts
Showing posts with label lenses. Show all posts

Friday, 14 June 2013

Popular Manual focus lenses on Digitial camera bodies

Here is my attempt to document some of the more popular manual SLR lenses that are being used on DSLRs / mirrorless format these days.

  • Carl Zeiss Jena DDR - Flektogon 35mm f2.4 <-------- known for its macro ability + sharpness
  • Carl Zeiss Jena DDR - Sonar 135mm f3.5 <----------- known for its bokeh
  • Pentax Takumar - SMC 50mm f1.4 <------------------ known for its sharpness + natural colors
  • Pentax Takumar - SMC 50mm f1.8 <------------------ known for its sharpness + natural colors
  • Olympus Zuiko - OM 50mm f1.4 <-------------------- known for its sharpness + vivid colors
  • Olympus Zuiko - OM 50mm f1.8 <-------------------- known for its sharpness + vivid colors
  • Nikon Nikkor - AIS 105mm f2.5 <-------------------- known for beautiful bokeh + sharpness
  • Nikon Nikkor - AIS 85mm f2 <----------------------- known for large aperture at 85mm + bokeh

as this is living and breathing list, I shall be updating it from time to time. Feel free to provide your opinion.

Monday, 31 October 2011

To-mioka or not To-mioka...




Recently as DSLR users have started to suddenly acquire legacy lenses, buyers are seeking better quality glass for their money. Quite often a legacy lens will gain reputation and thus price through word of mouth over the various forums dedicated to the topic of legacy glass. This sees prices soar on ebay as hundreds and thousands of ebayers try to strike gold. The classic example is the Carl Zeiss Jenna DDR Flektogon 35mm 1:2.4. More about that lens later since there appears to be a new contender in the market at the moment.

Tomioka, a well respected Japanese company, made lenses for Carl Zeiss Jenna which must be saying something! Often other brands like Ricoh, Sears, Chinon etc contracted Tomioka to manufacture lenses for them. This resulted in re-branded Tomioka lenses with Sears, Rokinon, Chinon etc labels. For example the Carl Zeiss Jenna Plannar is often thought to be the same lens as Chinon 55mm 1:1.4 inflating prices  for this particular Chinon in the used lens market.



There are certain clues or giveaways that help decide whether a lens is made by Tomioka or not. Most of this is hearsay but it is the best we have to go by and also of course the image quality. One or more of these may be true for a Tomioka made lens.




  • Clockwise swirl of aperture blades



    • Rubber grip with irregular texture
    • Plain rubber grip with silver bands on either side




    • Rear element very flat
    • Black seal around the rear element







    • Wave-like auto/manual switch







    I have attempted to gather a list of all the Tomioka manufactured lenses I can find and link the references here.

    • Sears 28mm 1:2.8 with the aluminum knurled barrel is supposedly Tomioka made.
    • Sears 55mm 1:1.4
    • Rikenon 50mm 1:1.4 on PK mount may be a Tomioka
    • Chinon 55mm 1:1.4 comes in many shapes of the barrel. Of utmost certainty among experts is the one with the coarse rubber focus ring with silver rings on either side.
    • Mamiya may or may not have had their some lenses made by Tomioka as this poster suggests. The jury is still out and the wait seems to be a long one!

    Tuesday, 27 September 2011

    Auto Sears / Sekor SX 55mm 1:1.4




    Score
    IQ: 8/10
    Build: 9.5/10
    Overall Rating: 8.5/10

    Specs
    Focal length: 55mm
    Aperture: 1.4 min - 16 max
    Mount: M42 screw type




    This is a Sears branded Mamiya / Sekor normal lens. The first thing I noticed when I received this in the mail was that it is fairly heavy - a testament of its build quality. The barrel is all metal and the glass appears to be thick and heavy.

    There are two things that need to be noted about this lens' mount:
    •  The SX version that I have has a small pin (pictured below) at the back of the aperture control ring that locks the aperture ring when tightened on to the body. This is not a big problem however because being a M42 screw mount, a slight unscrewing of the lens frees the aperture ring and it can be rotated and tightened back. It's just a bit of a hassle but that's pretty much it.Otherwise you can opt for modifying your lens.

    • There is no auto / manual switch on this lens. This means that the auto / manual pin found at the back of these M42 lenses needs to be engaged manually using any type of intervention you choose. This is personally not an issue for me as I opt to shoot with this lens wide open.
    What I like about this lens is its color reproduction. In my personal opinion it produces colors that 'pop' producing vivid / saturated images (edit: this user of Mamiya/Sekor SX agrees). I found it to produce nice yellows, reds and blues (see test images below).
    I also love the bokeh created by this lens. It is smooth and creamy while the area in focus is quite sharp even wide open - and at f1.4 that's a lot of bokeh!

    As always the Tomioka controversy continues regarding Mamiya lenses. No one knows for sure whether Mamiya ever got their lenses made by Tomioka or not. And if they did, which ones are they. The only Tomioka indicator on this lens are the 'clockwise aperture blades'. Perhaps the image quality can be attributed to Tomioka optics or design.

    Test images:
    Auto Sears/Sekor SX 55mm f1.4 @f1.4
    Temp adjusted to 7400
    Exposure +0.05


    Auto Sears/Sekor SX 55mm f1.4 @f1.4


    Auto Sears/Sekor SX 55mm f1.4 @f1.4